Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theatre, performance theory, and film and video interpretation, and offers a new approach to understanding Shakespeare. Weimann examines a range of plays including Hamlet, Troilus and Cressida, Henry V, A Midsummer Night's Dream and Macbeth, among others, as well as other contemporary works. A major part of the study explores the duality between playing and writing: the imaginary world-in-the-play and the visible, audible playing-in-the-world of the playhouse, and Weimann focuses especially on the gap between these two, between the so-called 'pen' and 'voice'.

Theater in literature. --- Acting in literature. --- Drama --- Dramaturgy --- Authorship --- Playwriting --- Technique. --- Shakespeare, William, --- Shakespeare, William --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Knowledge --- Performing arts. --- Criticism and interpretation. --- Dramatic production. --- English literature --- anno 1500-1599 --- anno 1600-1699 --- Arts and Humanities --- Literature

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The author offers close readings of Thomas Hardy's poetry and novels, regarding these as expressive forms of everyday and professional acts of the imagination. Hardy is placed in the long tradition of writers who subject is not art but imagination and whose most interesting aesthetic introspectionÆs, like those of Jane Austen and George Eliot, are oblique or sub-textual. So what the reader follows here is Hardy's imagining of imagination in his elegies and nature poems and in his major characters from Gabriel Oak to Tess and Jude.The themes and forms examined by Barbara Hardy include narrative

Imagination in literature. --- Imagination. --- Imagery, Mental --- Images, Mental --- Mental imagery --- Mental images --- Educational psychology --- Intellect --- Psychology --- Reproduction (Psychology) --- Hardy, Thomas, --- Author of Desperate remedies, --- Author of Under the greenwood tree, --- Desperate remedies, Author of, --- Gardi, Tomas, --- Ha-tai, --- Ha-tai, Tʻo-ma-ssu, --- Hārdī, Tūmās, --- Hardy, Tomás, --- Hardy, Tomasz, --- Khardi, Tomas, --- Under the greenwood tree, Author of, --- 哈代托瑪斯, --- Criticism and interpretation. --- Imagination --- Imagination in literature --- 820 "18" HARDY, THOMAS --- 820 "18" HARDY, THOMAS Engelse literatuur--19e eeuw. Periode 1800-1899--HARDY, THOMAS --- Engelse literatuur--19e eeuw. Periode 1800-1899--HARDY, THOMAS --- Hardy, Thomas --- Hārḍī, Thômasa,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In his second book of poetry, H L Hix uses two contrasting poetic sequences. 'Orders of Magnitude' defies rationality in favour of invention in the musical sense: producing a short composition that works out a single idea. As in music, the whole composition achieves its irrational effect through rational formal structure, with 100 poems, each ten lines long, with ten syllables per line. In the second sequence, 'Figures', the speakers follow their 'pure' rationality, though it leads them -- inevitably -- into the dark heart of the irrational. The result is a ledger of love and loss, a balancing of grief's books.

Poetry (Poetic Works By One Author) --- Poetry --- Poetry (poetic works by one author)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Home resonates in this collection. Heart longs for the Prince Edward Island birthplace left behind, memory building like early frost on fresh laundry. But there is another sense of home for this poet of the Irish diaspora, deep down in legacies of poetry and family lore, bred-in-the-bone, read in the signs of sea and sky. For O'Grady, the poet is charged with turning and returning to such legacies of place and time ? with celebrating what really matters. Throughout this dynamic collection, powered by an imagination that gains momentum like a bicycle running downhill, and pressured by exquisitely turned phrase and rhyme, O'Grady maintains an exhilarating grip on language and landscape, on the wondrous details of poetry, place, and home.

POETRY / American / General. --- Poetry (Poetic Works By One Author) --- Poetry

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This volume offers an exciting new reading of John Ruskin's economic and social criticism, based on recent research into rhetoric in economics. Willie Henderson uses notions derived from literary criticism, the rhetorical turn in economics and more conventional approaches to historical economic texts to reevaluate Ruskins economic and social criticism. By identifying Ruskin's rhetoric, and by reading his work through that of Plato, Xenophon, and John Stuart Mill, Willie Henderson reveals how Ruskin manipulated a knowledge base. Moreover in analysis of the writings of William Smart, John Bates

Economics --- History --- Ruskin, John, --- Knowledge --- Economics. --- Ruskin, John --- Rëskin, Dzhon, --- Ruskin, --- Ruskin, J. --- Rŏsŭkʻin, --- Modern painters, Author of, --- Author of Modern painters, --- Graduate of Oxford, --- Rasukin, Jon, --- ラスキンジョン,